The Art of Risk: How Smart Risk-Taking Can Improve Your Writing & Your Career

The Art of Risk Taking

“Risk” is a scary word for many.

Stepping out of your comfort zone and taking a chance on something that might or might not work out can cause some to continue with the status quo.

But taking a risk, as frightening as it might be, can open you up to new opportunities, better decisions and, perhaps, a more fulfilling career.

We recently talked about risk-taking with Kayt Sukel, author of “The Art of Risk: The New Science of Courage, Caution & Chance.”

In the book, Sukel  interviews scientists, extreme athletes, an entrepreneur, an Army Special Forces operator, and a neurosurgeon, among others, to learn more about how they look at the world and how they make risk work for them.

What is risk, exactly? And why are we often so wary of it?

We often talk about risk as if it’s the stuff of superheroes or criminals, but risk really just is a decision-making process. I think we’re so scared of it because we discuss it in extremes risk is going to bring us all the glory or bankrupt/injure/kill us. But simply stated, risk is just a decision where there is an uncertain outcome, and that outcome may be negative. Each and every one of us is taking risks every single day, whether we are brokering huge biz deals or just deciding whether or not to have a third cup of coffee in the morning. It comes down to dealing with uncertainty. Some of us are more comfortable with it. In reality, we’re all risk-takers.

So evaluation of risk involves being willing to confront the uncertainty of the outcome (on a continuum of consequences)?

I’d say that’s accurate. And being prepared so you can have a good idea of what those outcomes might be. It’s funny most successful risk-takers will tell you they are not risk-takers! But they don’t see their decisions as scary/hard/beyond them because they are only considering residual risk.

What makes for a successful risk-taker?

It’s being thoughtful, prepared, being able to emotionally regulate. It’s understanding that the brain has its own shortcuts for dealing with uncertainty and working with it. As I wrote in “The Art of Risk,” I spoke with a lot of successful risk-takers from a variety of domains, and it amazed me that, despite their area of expertise, they approached risk in very similar ways. They know their area, whether it’s firefighting or surgery, inside out. They can reduce uncertainty. We don’t see all the work that goes into their decisions only the outcome.

So there’s nothing special in how risk-takers look at the world vs. the way those who aren’t risk-takers look at it?

No! They are just really practiced and prepared. Successful risk-taking really is open to all of us. The only difference is that they know their domain inside/out. So they differ in experience it confers advantages. That brain surgeon? He might think writers are the real risk-takers for not having a regular paycheck/benefits. Risk, to a large extent, is in the eye of the beholder.

Is risk-taking something you can learn to do, or are people hardwired to either take risks or play it safe?

That’s the great thing about risk being a process it means we can all harness it to meet our long-term goals. Some of us are more comfortable with intensity, fear, stress but we can all learn how to better deal with risk. Each of us takes risks, every single day. We often make risk bigger and badder than it needs to be.

Why is risk an integral part of writing, both in terms of craft and business?

e12ccaf34f3cf64bfbb3ebfc42708e09Writing, like any art or small business, involves a lot of uncertainty. You have to come up with new angles for stories, find the right outlets, juggle money and time. It requires working at the edge – and not knowing what you’re doing (or when you’ll be paid) from month to month. To write great stories, you need to take risks on new perspectives. Make yourself stand out. And to succeed as a business, you need to try to move with the industry, which is never predictable. Writers, truly, are some of the riskiest people I know. And it’s what gives them voice and verve. If you can’t handle the uncertainty of random paychecks or new ways to consider the world, you’ll have a hard time.

How has what you learned about risk helped your own writing?

It’s helped me reframe stories and take a new point of view. It’s taught me that being passionate about what I’m writing can be equally as important to what I’m paid. It’s taught me that the best stories are ones where you find a way to get out of your comfort zone and really learn. Uncertainty isn’t necessarily a bad thing. It offers just as much opportunity as danger. And so I’m doing my best to harness those opportunities, learn what I can in the process to become a better writer. Not everything will work out, of course, but where it doesn’t, I can learn something that will help me later.

What are some of the risks you’ve taken in your own career that have paid off?

I’m not supposed to be a writer, let alone have written two books. Writing that first book proposal was a long shot. It was a huge risk but, in the end, worth it. I really reach out to new and different sources for stories. I’m not afraid to ask. Sure, a lot of high-profile people may say no (or just ignore your request), but a lot more than you think will say yes.

Additionally, since writing the book, I’ve given up a lot of my painful clients. At the time, it was terrifying. What if I didn’t find other work to fill the gap? But ultimately, making that space was so important. I had room for projects that really interested/challenged me. I’m not telling writers to give the old heave-ho to all your bread and butter clients, but I do think it’s important to ask yourself if some clients are anchors or ballast. If they are anchors, let loose! (And then market like crazy to find new, more invigorating work to take their place.)

We’ve talked about the benefits of risk-taking for writers, but this really can apply to everyone.

Yes, and that’s what I found so inspiring about risk. I started the book thinking I was going to look at superheroes. I ended up learning about everyday life. Risk is part and parcel of every single decision you make, every single day. When you become more accustomed to risk, you can see the opportunity beyond the danger and move towards your goals. Little risks smart, seasoned risks can have extremely large payouts in all aspects of life.

What’s your best piece of advice for anyone who – like yours truly! – is leery of taking risks?

To be more thoughtful about it. Ask yourself why you are leery. Would the outcome truly be too great to bear? What might you gain from taking the leap? Would it bring you closer to some long-term goal? Successful risk-takers are not superhuman. They are thoughtful and prepared. They know their stuff. That means that we all, every single one of us, has the power to be a successful risk-taker, too.

What about the fear that you’re making the wrong decision? How do successful risk-takers get past that?

Successful risk-takers make mistakes all the time. But they use them to learn. One of the people I interviewed told me she doesn’t fail, she “just hasn’t finished yet.” I really want to stitch that on a throw pillow. Imagine what we all might accomplish if we thought in a similar way! We’d learn a lot about how to move forward towards our goals, how to do things better.

We have to accept that we will decide unwisely from time to time. Even the smartest and shiniest of us. So we need to better place ourselves to learn from those mistakes and move forward the next time around. Risk really is part and parcel of everyday decision-making. The more we accept it, the better our decisions will be. In work, in life, in love, in play risk is there. You can either fear it, or make it work for you.

This has been very inspiring and informative! Before we go, can you tell us about what you are working on next?

I’m taking a big risk myself this summer I’m starting a fiction project. I’ve always wanted to try it. But I was scared. And there is no reason to be. I may not succeed at it, but there is a lot to learn in the process. So even if I don’t write a bestseller, I’ll gain new tools that will help my non-fiction writing.

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Maria Perez is director of online community relations at ProfNet, a free service that connects journalists with quotable experts.

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